POEM: Be Riffed of Life

He said
“The world is inert.”
I said
“You mean
Dead?”
He re-plied
That it is
Assure thing
Beyond doubt
I queeried
“On your incite
Or the out?”
By all means
Necessary
As you must
And arbitrary mold
No higher power
Showing favor
To indistinguishable accidents
Through grub
And poorly aimed reproductions
Equally fluked
Know matter
How ever wondrous fits
Due too survivalists
All ready
Be rift of life

This poem is inspired by many encounters that I have had with people who pose a materialist philosophy or perspective on “life” — that inexplicably animated portion of our “inert” universe.  I have to chuckle a little, and mourn a bit, as this view that the universe is dead matter strikes me as a surpassingly surreal projection of one’s inner experience, as either incurious, blind, or in denial about the mysterious nature of nature.  A striking feature of subjectivity is that we tend to see the world as we are, not as the world is.  That anyone would argue that we are dead seems to preclude any lively conversation!  Fortunately, I often don’t listen to what people say.  I generally assume that if someone’s lips are moving that they are alive, despite their best arguments against it.  While anti-evolutionists manage to embody their arguments with their epic failure to evolve, materialists betray themselves with every movement, especially the ones that claim deep self-reflection.  Nonetheless, I strongly suspect that it is better to be riffed of life than bereft of life.  Pay no attention to the dummies behind the curtain, moving their lips but to know a veil.

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POEM: In Possibility Incarnate

Alex created
A work of art
And
Another
Each infinitely improbable
In possibility incarnate
Bound only
By certain desire
One in many

This poem is a mini-manifesto on art and the artistic process; hopefully, inducing some inspiration and incarnating some guidance.  Surly, art can be enhanced by rarefied skills.  Still, art at its core is a work of heart.  Art is democratic in a sense; anyone willing to dance with desire and possibility can cast a vote.  Art is abundantly fair in that you can vote early and often in this existential dance called life.  Ultimately, the whole of our life is our work of art.  Of course, critics also abound.  Those who can’t do, teach; those who can’t teach, criticize.  We all have areas of our lives where doing, leading by example, being the change we want to see in the world, devolves into mere teaching.  Further, we all have areas of our lives where teaching devolves into mere criticizing.  Some don’t even have the passion or self-awareness to even choose what they do, and instead of living, their life is lived for them by the forces surrounding them.  The freedom in creating art is bound by certain desire.  As certainly, our desires and passions are unique, not identical to any other.  In expressing our unique selves and perspectives, art is both intensely personal and inescapably social, an expression of our experience as one in many.  Some claim that all art is about God.  I think this means that all art is an expression of our experience as one in many and our relationship with the whole, the One, of which some call God.  Of course, many artists are reluctant to speak of God directly, often for very different reasons.  Some view the One as unspeakably beautiful and speaking falls short, even more so than our tentative art or lives.  Some view any formal relationship with God, often referred to as religion, as a source of unspeakable horrors.  I suspect that the views on this are as diverse as the art and artists daring to ponder such stuff.  Neither this poem, nor my rantings, are intended to serve as some ultimate guide to political correctness, though my life inescapably expresses a particular perspective.  While this poem is not overtly political — a little unusual for my poems — I tend to view artists as inherently political, mostly because artists make lousy slaves.

On a different note, some may wonder if the names I use in my poems are based on real people.  Sometimes they are; usually they are not.  I tend to select androgynous names, both as a way of avoiding sexist complications and as another way to pack two meanings in one.  Authors often write about what they know.  As a man, I often simply write from a male perspective; thus, I more often choose male characters.  Of course, sometimes I choose a character’s gender in a way that challenges dominant gender definitions and stereotypical views of masculinity and femininity.

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POEM: Silver Bullets

Beware of cellars of silver bullets
Proffering too for won buys
As wear wolves clothing
In the face
Of murder-suicide
Know if, and, or butt
Totally transmogrifying
In a fool moon rising
A dark knight
A bastard sun
Offering kool aid
As a final solution
A straw man choosing
Short cut
Or going long
Whether thirst or lust
The buyer be ware
As passably souled
If the prize is right

This poem is about hucksters of all sorts.  There is something about human nature that leaves us vulnerable to quick fixes, the proverbial “silver bullet.”  I suspect that this has a lot to do with laziness, the resistance to exerting effort, and a commensurately lazy view of reality where if just one thing were fixed then all would be right with the world.  Impatience is a cousin of laziness, as patience is the mother of all virtues.  Also, humans seem attracted to the clever, often at the expense of intelligence.  Even the apparently novel can beguile us to bypass ancient wisdom or just plain common sense.  Wile sellers of silver bullets must be held accountable; of coarse, the buyer must be ware, willing to be sold.  A certain steeling of our souls may lead us behave shrewdly to salespeople.  Not wanting to peer a fool is often the salespersons best tool.  Exorcising wisdom as a passing fad allows us to be taken and retards us from excepting what is given.  May you be forever souled, in awe ways rooted in that beyond accost.

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POEM: A Royal Buzzkill

Bee
The change
That you wish
In the whirled
Too see
O Mother Earth
Undertaking
Men o’ pause
In-fertility rite
As nature fecund wanes
A roil buzzkill
Soon with death teeming
Wear is thy sting
Extincting that human race
Soully certifiable reproductions
Unfit as a specious
Forerunners to know end
Yet today, this solitary caged bird sings
Like a canary
In a cold mine
With its deadly presents
Colorless and odious executioner
The lynch pin of anonymous hoods
Haunting all
That which is called “natural”
Sow fumes miasma
Till hour last breath

This poem is another mournful environmental poem, with the steady decline of bees as the proverbial canary in the coal mine for the deathly threat to the ecology of the earth.  Of course, the stoic denial and fatalism of human-induced climate change through fossil fuel consumption reaps a Mother Earth whose only defense may be to open a Pandora’s box capable of “naturally” selecting the human race from an internal combustion race to a mere foot race, where humans are no longer large enough scale to crash the entire planet’s ecological system.  If we don’t change course and evolve into an ecologically-sustainable species, we will be devolved into a much less dominant species.  Whether this would represent an evolution or devolution would have to be reflected upon by many fewer homo sapiens.

While we as a species are still living high on the fumes of burning fossil fuels, the buzzkill of bee genocide may lead the way to the end of agriculture as we know it, and the end of human culture as we know it.  Our unchecked industrialism, fueled by the burning of carbon-based energy forms, may very well lead to our checking out as the predominant species on earth.  Could this bee the end of the world? as so aptly asked in an article of the same title (with a now extinct link!):

Albert Einstein once said: “If the bee disappeared off the surface of the globe then man would only have four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man.”

Einstein wasn’t an insect expert but he had a point. The humble honeybee is an integral part of the global ecosystem. Honey is just one aspect of what this entomological wonder does. As a pollinator it ensures crops reproduce, so although a world without honey would be a poorer place, man would survive. But without plants, we’d become extinct.

…On a global scale, it is estimated a third of the food we eat is pollinated by bees…

…The introduction to the 2010 UNEP [United Nations Environment Programme] report into global bee colony disorders puts the insects’ plight in context. It states, “Current evidence demonstrates that a sixth major extinction of biological diversity event is under way. The Earth is losing between 1 and 10 per cent of biodiversity per decade, mostly due to habitat loss, pest invasion, pollution, over-harvesting and disease.” It asked, “Has a ‘pollinator crisis’ really been occurring during recent decades, or are these concerns just another sign of global biodiversity decline?”

Unchecked domination is not the nature of nature.  Either homo sapiens will learn to live in harmony with nature as a whole, or our ability to dominate will be cut down to scale.  As throughout countless generations, we are faced with choosing harmony or destruction.  Nature has patiently endured our penchant for destruction.  Nature cannot be violated forever.  Nature’s feedback is gentle and generous.  Only fools destroy the hand that feeds them.  Will we be fools in the largesse weigh?

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POEM: Ebola US Over

Ebola US over
When fear metes science
When we no what too due
Still, rabidly executing our will
As wee act in sanity
Cheap as rationed rationality
Upscale absurdity
As some fret butler
Frankly red-faced, not giving a damn
As long as they are on the winning genocide
As good as dread
Only wont
Too feel safe
Feverishly incubating terrors
In the timed, spaced continuum
Of the perpetual see of terminable daze
Enduring weaks
Of what dismay
Or may knot
Deliver us
Into harm’s weigh
Stamping out indignantly
Aversion of reality
We cannot except
Fomenting in a culture
Fixed on negative results
Mirrorly symptoms apprehended
Temperatures rising
Going viral
As the unexplained hemorrhages
Everything alarmingly scene
As through
A prism of fear
For which there is no anti-dote
Forever catching
US on the flip side
Little escaping what is in
Our nature
Passing
On that sore option
Liquefying our cells
Or seizing only
That which is key
To the beginning of our end
In courage unbolting
And open fortitude
That other wise will
To our enemies heel
Yet for all won knows
Bolus over with a feather
Joining farces with that gag reel
Fore what bitter medicine than that
Given the bird
That can’t swallow
Or a flee
In deed doggedly drug
A collar
Not worthy a copper or gumshoe
So give it a rest

I wrote this poem a while back, just after the first Ebola case showed up in the United States.  I have training and experience in public health, and I worked in the 1990’s in combating the HIV/AIDS epidemic.  Communicating risk accurately is difficult, particularly in an environment of fear and histrionics. Also, it doesn’t help that the scientific literacy level of the American public is disabling in this matter.  As a scientist and poet, I hope that this poem offers some insight into such conundrums.

Fear and ignorance are a lethal combination, and they have a nefarious synergy with infectious disease outbreaks.  Ignorance often leads to a dangerous undervaluing of prevention early in an epidemic.  Then, when the epidemic becomes visible, closer to home, fear often demands actions that are often useless or counterproductive.  If confusion prevails amidst a population, infectious disease can flourish, as energies are squandered on off-mark enterprises and scientifically-validated methods are not sufficiently adhered to, often because of ignorance and suspicion, even if plenty of fear and concern is present as a motivator.

The Ebola virus is particularly lethal, yet it is not easily transmissible nor transmissible in people without easily-identified symptoms (though not necessarily Ebola-specific symptoms).  The chains of Ebola transmission can be broken.  We need to persistently apply our abundant knowledge about Ebola, with a measure of courage, to defeat it.  If our unfounded fears overwhelm our capacity to address Ebola in a rational manner, then the legitimate fear that Ebola poses us will become unnecessarily magnified into a self-fulfilling prophecy.

May we drum up the courage and resolve to fight Ebola based on what we know well rather than that which is uncertain and subject to fear-mongering.

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POEM: His Hole Life

His hole life
He refused to get carried away
Keeping his emotions in check
A promissory note
Just enough to cover his pallbearers

A noteworthy life, one that is lived wholeheartedly, is not without passion. Life: it’s all in the risk.  The point of life is not to arrive safely in your grave.  As Helen Keller so aptly declared, “Life is a daring adventure or nothing at all.”  A life reserved is a life lost.  We must loose our life in order to gain it!  In my first short story as an adult (yet to be published) a character is recounted (after his disappearance and murder) as saying “he suspected that God had little interest in us being saved, and is infinitely more interested in us being gloriously well spent.”  In the movie Steel Magnolias, the character Shelby says that “I would rather have thirty minutes of wonderful than a lifetime of nothing special.” Her mother is giving her grief as she is newly pregnant and terminal.  There is always room for another baby in the world; it’s the adults that make it crowded.  In this life, may we all be newly pregnant, for we are all surely terminal.  As we are all present in this awkward period between birth and death, may our soul be bared before our body buried.

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POEM: Rare Prayer

I found myself
In rare prayer
A genus reserved for
Mother’s ilk
Only doing what
Kin be done
In udder neglect
Of that long a go
Cached in
Fore more sensible weighs
Now wholly saved
For foxholes
The mass
Of desperate men
And occasional women
Re-sorting
In rare prayer
As raw flesh exposed
With feudal armor flailing miserably
In stoic winsome
God’s mourning dawns
As initiate
Such supplication
With a hesitant plea
Claiming how sow little requested
And sow far between
Only mildly disappointed with the crop received
In won’s life
With such scanty solicitations
The ground of my being
Like an ungraceful sludge hammer cleaving diamonds
Seaming as a sedimental journey at best
A grime scene at worst
A present cut to ribbons
Stairing into a box
Bound for eternity
And still
As I here, a response
An uncommon sense
A peel for more
In treat awe
Even the one
Who reveres coarse
And bars none
The less
The great
I am
Fooly in chanted
Soully to that call
Which cannot be herd
Accept bye
One’s self

This poem was inspired by a prayerful moment at a protest to stop the BP refinery in Oregon, Ohio, from investing 2.5 billion dollars to retool to process tar sands, the dirtiest source of petroleum yet sought after by oily men. Toward the end of the demonstration, I found myself at the fence reflecting on the unlikelihood that we would be able to stop this fuelish investment in an environmentally destructive infrastructure, a generations-long commitment of resources to a dirty energy future, an asphalt super-highway to perdition.

The “rare” prayer in this poem, not surprisingly has several meanings. While I quite easily, with great frequency, say a prayer of thanks, I rarely ask God for anything very specific.  I can’t help but experience a feeling of hubris in the notion that God is waiting to align the universe according to my requests.  Also, this is a personal spiritual practice and practical way for me to decouple from the many manipulative aspects of religion, as if God exists to serve my will.  I am quite thrilled with God’s creation and how magnificently convenient it serves my will and purposes.  In this sea of grace, any desire to bend the world to my will seems like disgruntlement.   Most any traditional prayer life has been leveled by my integration into my heart of the mystic Meister Eckhart quote, “If there were but one prayer, ‘Thanks,’ would suffice.”  However, there are the occasional moments when I feel particularly vulnerable or mournful.  This is where the “rare” is “As raw flesh exposed.”  The world is definitely a mournful place.  Discord and loss are everyday experiences.  Harmony-seekers must confront ignorance, apathy, and outright intransigence.

In the face of the powers that be at BP, I can fantasize about God sending down a pillar of fire to destroy such intransigent offenders.  Unfortunately, this perverse desire is in much too scary alignment with the very BP offenders I wish to see punished or expunged from our shared reality we call earth.  Such greedy and spiritually lazy offenders wish nothing more than to secure their own little world from its many vulnerabilities and impinging insecurities.  Well, my God is not a mighty fortress!  My God is the giver of life, unmerited as we turn out to be at times.  My God mourns with me as discord and destruction rains.  My God is present in “it all,” yearning and wooing us to live fully, not settling for lesser dreams, half-truths, and lives broken into pieces.  I got the answer to my prayer before I even finished it.  As I was engaging God with talk of how I ask for stuff so infrequently, and how I don’t ask for much, I was gently but firmly and unmistakenly reminded that God does not want me to make merely occasional, hesitant or apologetic pleas for incrementally better lives.  God’s will for our life is for whole lives, lived boldly, even in the face of seeming intractable brokenness.  God incessantly invites us to be people of hope, a living hope which becomes incarnate in the world by boldly living in consonance with that hope.  In case this bold sentiment might be doubted, my quick prayer and swift response was punctuated with the crowd of witnesses present that day boldly singing about how we will not compromise, neither our hopes nor our demands for a world full of harmony.  God works in strange in mysterious ways.  Sometimes not so mysterious — though perhaps somewhat strange to some.

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POEM: Capitalism Perfected

Capitalism perfected
Wear every won
Cells their soul
And when
Every body
No’s that
They have
A fare price
For dreams fabricated
And nightmares awoken

This poem’s title has a misleading title which implies that capitalism can be perfected. The twist in the rest of the poem is that it rebukes the illusion that capitalism can fulfill our dreams, free our souls, or save us from our nightmares feared.  Instead of settling on a fair price in selling our souls (even if it reaps a profit of the whole world), we must reject this false reality and accept the fare, the cost, the price, of a higher way, which can preserve and nourish our souls.  The comedian and social commentator, George Carlin, once said, “They call it the American dream because you have to be asleep to believe it.”  Waking up to the pricelessness of our souls is the foundation of an architecture and arc of living that money cannot buy.  Saying “No” to capitalism, the reduction of human values to monetary terms, is a worthy start to life as a free range human being.  Returning money to a mere convenience for exchange of goods and services and toppling money and the “economy” from their god-like status are prerequisites for a flourishing humanity.  Humans should not be domesticated around the needs of money or the “economy.”  A properly ordered life is one where money serves humans, not humans serving money.  Whenever there is a conflict between humans and the things that money can buy, people should come first — not including corporate persons!  As Jesus so aptly put it, “You can’t serve both God and money.”  Capitalism perfected is capitalism put in its place, firmly at the feet of humanity, never to rise above the least of human beings.

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POEM: Know More Than Sentimental Fuels

I am petroleum
I am coal
I am “natural” gas
Set me free
From my dark and stony hearth
My fiery nature lying in wait
Sow vent on destruction
And I will bequeath
Once-in-an-eon jobs
That you will blow
In your cracking and fracking
As so much money
With climate change to spare
Busy having
The tomb of your life
For when civilization collapses
And you are waste deep interred
With my underworld nature unleashed
Meting yours
I will catacomb your world
Exchanging your place for mine
And what remains of humanity
At best will see me
As know more than a sentimental fuel
Spewing out worthless airs
To the end of the earth

I find myself writing more and more poems about our environment, particularly about the crisis of climate change.  This aptly reflects my conviction that dealing with climate change and establishing a sustainable harmony with mother nature is the biggest challenge that humanity faces this century.  I feel confident saying this, even though we are still early in the century.

This poem is written as a first person poem, where carbon-based energy forms, long sequestered safely underground, encourage us to free them from their long-established place in nature.  In this poem, the personification of carbon-based energy takes on a demonic, underworld character.  The promise of “once-in-an-eon jobs” seems an offer more than generous enough to lock us unto our fossil fuelish addiction.  Now, I don’t believe in demons, surely none emanating from mother nature’s bosom.  But who needs hell when you have greedy and lazy humans who apparently would rather drown in their own waste than pay adequate respect to their mother.  Humans have, in effect, made themselves a bunch of mothers — and not very good ones. This is original sin; the rest is derivative.  I see no animus in mother earth.  Still, nature does have boundaries with predictable feedback.  If mother earth keeps have to dealing with all this human shit, then I expect mother earth will have enemas.  And even us fans of the earth will get hit with it…

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POEM: The Death of Jean-Claude “Baby Doc” Duvalier

He was a Baby with a capital B
A ruler by which so many would be judged
He was unjust
A child of 20
A President for life
A President for death
As so many capriciously dyin’ with a king
An entourage of automatic weapons and complimentary wine
Drunk with power
As a prince of port
Celebrating fear
Of those his pathos cross
In the company of thieves
A bout to meet their maker
In the chaos of Haiti borne
I was just
A child of 10
With a father doc of my own
Standing up like so many others
In a sense wondering
Who had come before me
And what might fallow
Only to depart so quickly
As a pre-mature baby with terminal rashness
Vainly hoping to reach ode age
Goon before we know it
And such is life
I dash to the winnow
Like a babe in the woulds
Mirrorly site seeing
Unschooled in this deathly land escape
As my mother
Without peer
Pulled me to her side
That one side that fits awe
Only hereafter to learn
In do time
With respects
To wrest in peace

I wrote this poem this morning after hearing of the death of Jean-Claude “Baby Doc” Duvalier, a former president of Haiti, much more aptly described as a brutal dictator.  I was born in Haiti while my parents were serving there as medical missionaries with the Mennonite Central Committee.  Our family returned to visit Haiti in 1971, soon after “Baby Doc” inherited the family dictatorship from his father, “Papa Doc.” This poem recounts an incident when we were dining in a restaurant in Port-Au-Prince, the capitol of Haiti, when “Baby Doc” came in for a meal.  I was ten years old.  All of the sudden, everyone in the restaurant stood up.  And as is the etiquette in a foreign country, when everybody around you does something, follow suit.  We stood up.  “Baby Doc” and his entourage of guards armed with automatic weapons entered.  The proprietors of the restaurant quickly prepared a few tables for them directly adjacent to our table.  We were mere feet from three tables occupied by the president and his armed guards. Complimentary wine was ordered for all of the restaurant’s guests. Of course, I found all of this quite fascinating.  They ate and left rather quickly, and I scurried to the window to capture yet more of this gawk-worthy event.  My mom quickly and discreetly rounded me back up and pulled my away from the window.  Only later did she share the worry that such behavior could be viewed as suspicious and perhaps dangerous.

The death of Jean-Claude “Baby Doc” Duvalier was experienced by countless Haitians who were murdered and disappeared.  This morning there were probably relatively few Haitians mourning the death of this one man.  May Haiti continue to recover from the death brought by his reign, among so many other troubles and challenges.  The experiences of myself and my family in Haiti continue to give me a life-long perspective from which to work for justice and wrest in peace.

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POEM: The Awe Might He Acorn

The acorns fall
Like reign
From above
As the mighty yoke is broken
Flailing to grasp the gravity of the situation
Each won
A tiny oak
Tolled by nature
If only
Such nuts
Can hold there ground
And a void
Either being
Squirreled away
As the winter takes root
Or perhaps robin
Their shady future

I wrote this poem amidst writing another poem.  I was reclining on one of the benches outside the Toledo Museum of Art, in the sculpture garden that is their front lawn.  This bench happened to be under a large oak tree.  There was a slow rain of acorns punctuating my experience.  I was hit several times as I interrupted the arc of the acorn-gravity continuum.  The squirrels seemed quite domesticated, likely due to their stomping grounds being traversed by a pedestrian highway populated by humans more civilized than normal.  One squirrel, only half a dozen feet away from me, nibbled on the abundance of freshly fallen acorns, seemingly satisfied with compromising each acorn shell within grasp, taking a quick nibble, and then tossing the acorn aside.  This struck me as being a bit wasteful. Yet, the scarcity of my perspective was in sharp contrast to the overabundance of acorns, of which nature unlikely intended each acorn to become a mighty oak tree.  This situation reminded me of an aphorism: the mighty oak is simply a tiny nut that held its ground.  Of course, in the complexity of nature, perhaps the author of this aphorism might have amended it to include something about that nut avoiding his cranium being crushed by a squirrelly beast.  My daughter has a serious fright about squirrels.  The origins of this fear are unidentifiable.  Perhaps she was an acorn in a previous life and a squirrel nonchalantly crushed her cranium and then casually threw her aside, thinking nothing of her casualty.

Sometimes the job of a poet is to take seemingly mundane or routine occurrences and infuse them with epic meaning.  While the crushing of one’s cranium by a seemingly harmless squirrel may be an apt definition of epic meaning, I look to more hopeful outcomes.  In this case, it is the off-chance, against-the-odds probability that even one acorn in the season of life survives, even thrives, to become a mighty oak.  From a sheer statistical point of view, this could be viewed as the fodder of a cruel joke.  But, alas, after a dark, cold winter, on occasion, as predictable as rare, the surviving sun teems with such fodder to produce a mighty oak which can outlive even the many seasonings on human life.  Of course, you first have to be a nut to truly believe this.  And if by some miracle you survive, even thrive, you will truly be for the birds…and even overly generous to those cranium-crushing squirrels squandering your babies.

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POEM: A Strange Gift From Smother Earth

I awoke
Too the rumble
Of a river of cars
Getting the goods
Being trucked over and over
As fuming motorists
And fuelish consumers
Whirled wide
Tank up
With great import
As their gauges reach emptily
A diction
Beyond words
Feeding this uneconomic engine
Internally combusting
A humanity greased
Plunged into a vain artery
So so leading
To an err tight garage sail
N’air to see O2 again
Only lust C’ing a singular “O!”
To be
Fallowed buy
Cryptic silence
As nature returns
A strange gift from smother earth

This poem was inspired by awaking to the rumble of cars and trucks from I-75 about a mile from my house.  I am quite familiar with this noise pollution, a steady hum 24/7, though I usually only take notice of it at night or in the morning while lying in bed.  Noise (and light) pollution are on my short list of pet peeves and everyday side effects of so-called civilization.  However, this poem meditates on the constant stream of air pollution and inevitable environmental destruction from a carbon-based energy economy and transportation system.  The congested arteries of our highways and buy ways consternate both motorists and Mother Earth — not to mention pedestrians and bicyclists.  This poem also alludes to the military shenanigans (as we “tank up”) needed to assure a steady supply of a crude lifestyle.  The addiction to petroleum leads us to morally depraved measures of success, such as the accepted norm that destroying the environment is part and parcel to a good economy.  Such insanity brings to mind the wise aphorism: don’t shit where you eat.  The metaphor of drowning in our own waste is incarnated in this poem as the suicide of exhausted and fuming motorists in their garages, the final resting place of going nowhere fast.  This poem requires a certain knowledge of chemistry to be fully comprehended, specifically the chemical structure of carbon monoxide.  If you also know that carbon monoxide preferentially binds, in place of oxygen, on hemoglobin, then you can more fully appreciate the breathtaking nature of this poem.  The feedback of nature is neither random nor mean-spirited.  Nonetheless, if humans insist on living in unsustainable ways, then nature will weed us out or prune us down to size.  Perhaps this is poetic justice for smother earth…

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POEM: Show Down With That

A mid-afternoon cloud drifts along
Down below, high noon stretches into its fourth hour
Brazen vapors pining to be seen
A vain tease its silver linings
To dormant soles never looking up
Know glorious rays today!
As nature out laud
No show down with that
A stare way to heaven
Or sight unseeing
Such a gossamer cover-up
Of happiness so lean

I started this poem in a notebook earlier this year while out for a walk and stopping to admire the clouds. I finished it recently; a bit unusual given the dozens of pages of unfinished poems in my poetical universe. This poem struck me as a good Monday poem, especially after unexpectedly nice weekend weather. As many people head back to work on Monday, this poem is a reminder to look up and experience the majesty that is nature. Appreciating the little things in life is the stuff of happiness.

Nature is not particularly adept at hiding itself. Still, people often find a way to allow nature to go unwitnessed for extended periods of time. Nature bids us happiness. Outbidding nature is dangerous to our happiness. May you find your life leaning to happiness.

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POEM: Cautionary Tail

Shadow pays homage to light
In a place beyond compare
And as a cautionary tail
May you not be doggedly wagged

This short poem is a tip of the hat to the Taoist idea of complimentariness or yin-yang, such as light/dark, good/evil.  That light can only be understood in relation or contrast to dark is a deeply embedded reality in human experience.  While the Tao, or the Way, is beyond compare, good and evil often show themselves in stark contrast.  In relation to human development and enlightenment, our dark side, our shadow, can provide powerful insights and cautionary tales as landmarks to help us to move along to a better place.  Of course, a fixation on or brooding over our dark side can imbalance the good it serves to enlighten and demarcate through contrast.  While good and evil have a complimentary aspect, good and evil are not equivalent.  If our perceptions, attention and will are not seeking the good, then the tale of woe and darkness may wag the dog.  Seek ye first the good and all else will follow — even that wagging evil so doggedly attached to all of human endeavors.

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POEM: Dead Precedents

The whirled is full of dollereds
Strewing up our future
With dead precedents
And we no where
Greed takes us

This short poem addresses the persistence of greed, even though its poor outcomes are well documented and embedded in human experience.  The temptation to game the system and cheat reality by stirring up greed can only be explained by bad thinking or a shortage of moral fiber.  Of course, greed begets greed.  How could it be otherwise?  The moral compass we follow — or don’t follow — sets in motion a cascade of like results.  Greed and selfishness produces a shaky foundation and towering houses of cards and sharp objects as a testament to the denial of the gravity of the situation.  Life presents inescapable moral choices.  We may not like the choices available, but reality has a profound persistence and deep order.  It strikes me that a fundamental orientation or choice in life is whether to game the existing set of circumstances to one’s own marginal advantage and the whole’s marginal disadvantage, OR to commit one’s self to understanding and accepting the facts of human existence and devoting your existential force to participating in the good of the whole.  Saying “NO” to greed is a good start and landmark for the journey.  We know where greed takes us — to an unending chain of dead precedents; a world replete with moral dullards.  Disciplined compassion, joyful curiosity, and ebullient hope take us places better than we can even imagine, where we can be joyous and free in harmony with humanity and the created world.  May it be so.

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POEM: The Lost Heart of Wore

Dave lost his head
On the edge of barbarism
Shariq found his blown to pieces
On the edge of civilization
Savage swordplay and droning videogames
Medieval meets modern
Death metes equally
To those dispensing
Aid to enemas
And bad abettors
In gruesome gambols
Where the hows always wins
And the whys are confounded
Weather fatally sored
In phase too phase war fair
Or insights of a video chimera
A cross continence
Either weigh
Each respectively
Given the finger
In a speak easy of honor
Wear suits are sir rated
And buttons pressed
United in death
Lilliputian tears fill our see
Crescendoing whoppers bound by feared flees
Fooly contempt plated
Wear wee be headed
A long the heart of wore
Our ultimate objective
Hour final destiny
Only too find ourselves
Naked to death
And life
All the amour
Of which elicit

This anti-war poem was inspired by recent beheadings, which seem to have been very effective in eliciting a spirit of war in Team America.  Such barbaric acts by our enemies strike at the heart of our civilized sensibilities, much more than our regular less-than-civilized killings of the occasional enemy and more frequent nearby noncombatants.  U.S. wars have droned on for years.  This has been mostly below the radar of U.S. public awareness and above retaliation by its non-American and un-American victims.  There is little doubt that when theatrical barbarism and video-game inspired drone warfare meet that war will be the big winner.  The losers will be uncountable. The few winners will be unaccountable.

This poem’s title is a take off on the infamous treatise, The Art of War, by Sun Tzu.  Wearing your heart is a dangerous thing when the drums of war are beating.  No doubt, the world can be a scary and dangerous place.  Nonetheless, I am convinced that humanity is in much greater danger of losing its heart than losing its head.  Each of us will be dead some day.  The more important question will be whether our hearts are intact, not our heads.

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POEM: A Weigh of Death

If you must kill
For your way of life
It is a weigh of death
Knot a way of life

This short poem cuts to the chaste on this anniversary of 9/11, formerly unknown as the anniversary of the U.S.-backed, CIA-directed military coup in 1973 of the democratically elected Chilean government of Salvador Allende.  Now, back in the good ole USA, the only military coo you will hear is accompanied by the drums of war, playing up the only apparent choices as killing or doing nothing, in order to preserve our so-called “way of life.”  The foundation of this band of brothers (and occasional sisters) is built upon well-remembered dead Americans and easily forgotten non-Americans, the vast majority of whom are civilian noncombatants, possessing no name except collateral damage.  Shame on US for being so blinded in this mirror war and a callous just US.

“He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you.” — Friedrich Nietzsche

Check out hundreds of more anti-war quotes and peace quotes.

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POEM: Bee The Sting

As in nature
I did stir
A kamikaze threesome
Of yellow-jackets
Making their presents known
Too me
Wherever egos
Joined by white-coats
Hopefully not fallowing me
As will bee
Or not to be
And little
Did they no
I would swell
With more than pride
At their deathly pricks
And the shock to come
Working best under
Lo pressure
A life long
Pursue it
A pin cushion
Buy day and night
Nature’s suicide cheated
Yet feeling
Thy sting
Eventually in choir
Sew what?

This poem is autobiographical, inspired by a bee sting, actually three yellow-jacket stings, that I got a couple of days ago.  Such a tale is made dramatic as I am allergic to bee stings, and without quick treatment I would be dead.  I was tearing out English ivy from my front yard bed when I felt three stings in rapid succession, probably within 5 seconds, before I even saw the attacking insects whose nest in the ground I had apparently disturbed.  At least one yellow-jacket followed me as I went into the house.  I had to deliberately maneuver to prevent it from following me into the house.

Fortunately, just two days earlier, I had picked up my epi-pen (to inject epinephrine/adrenalin) from the pharmacy.  Unfortunately, I had it sitting on the couch where I had planned to read the instructions at my leisure —  I had not (read, I had sufficient leisure).  Unfortunately, I was not entirely sure whether it was better to read the instructions and self-inject or seek emergency room treatment forthwith.  Being only five minutes from St. Vincent’s Medical Medical Center emergency room, I chose to race off to the ER.   I grabbed my epi-pen just in case things took a turn for the worse on the way. Fortunately, I was not experiencing any significant symptoms yet.  A yellowjacket chased me out to my car, and again I quickly maneuvered to keep it out of my car.

As I sped to the ER I could feel my hands tingling and getting itchy.  When I got to the emergency room, there was no intake person at the front desk.  She was at another desk taking down information from another patient.  I tapped the prescription box containing my epi-pen on the counter to get her attention and announced that I had been stung by bees several times, that I was allergic to bee stings, and that I would soon be going into shock.  She stated that she would need to collect my personal information first. I deftly and quite accurately tossed my prescription box to her and I said that it should contain the pertinent information.  She equally deftly caught the box — perhaps she was well-experienced with such procedures.  Fortunately, I had seen my new primary care physician within the last week or so, so my current information would be readily available on the computer.  I then carefully laid down in front of the reception desk as I had passed out in the ER the last time I was in this same ER for a bee sting reaction, and I did not want to add any injury to insult.  She asked why I was laying on the floor and I explained to her.  She said that they would get me in a wheelchair.  I said that I would get off the floor when I got a wheelchair.  She seemed discomforted by my lying on the floor.  I comforted her by saying that I am sure that their floors were clean enough for me to pass out on them.  By this time, I noticed that little white welts were forming on my arms and legs.  My whole body was flush and my heart was racing.  Given the circumstances, I think that I was rather calm; though I don’t think I was perceived as being the most patient patient.  I was not entirely convinced that the emergency room was necessarily best geared up for emergencies.  This was also based on my previous experience with a bee sting reaction in the same emergency room where they made me sit in the waiting room waiting for medical triage.  In this experience, as the shock took hold, I indicated to the intake person that I was getting light headed.  The next thing I remember I was being lifted onto a gurney, as I had passed out and slumped off my chair to the floor.  Fortunately, this did not add any additional injury; though I did take some insult in this.  The doctor later told me that she feared I had stopped breathing, which apparently moves you up the triage priority list real fast!  Later, I would half-joke that I would fake passing out in order to get seen more quickly.  Lying on the floor with full lucidity was my real-life compromise, given that this was no joking matter.

Okay, back to the situation at hand.  I started to feel pressure around my ears as the swelling and welts continued to bloom.  After a few minutes, a man came to me and asked me what I was doing on the floor.  I explained it to him.  He said that they did not have a wheelchair available, and he asked me to stand up.  I stood up and walked with him to the intake room, sat down in a chair next to a computer, and I started answering questions. He clacked away on the keyboard in what seemed to me a rather routine way.  After measuring my heart rate at 166 beats per minute (about what my heart rate would be if I was running full speed), his sense of urgency seemed to pick up.  He made a call.  Another person came and walked me to an exam/treatment room.  He left me there alone and said that someone would be there soon.  I couldn’t help but wonder how long.  I laid down on the exam table and waited for a couple minutes, though they seemed like very long minutes to me.  At this point, there we so many welts on my arms, legs, and body that they were beginning to merge into essentially one large metropolis of welts for each section of my body..

When a nurse arrived in the exam room, she started asking questions and attaching me to a blood pressure cuff, oxygenation sensor and EKG leads.  Then, a doctor arrived, asked some more questions (plus some of the same), and did some physical exams.  The nurse inserted an IV and the doctor ordered epinephrine.  I noted that the dose they gave me was identical to the dose in my epi-pen.  [They explained later that one should always inject the epi-pen immediately after an offending insect sting.  I know that now.  The nurse later offered to show me how to use the epi-pen and was confused by a different design than with what she had experience — apparently, a new technological, perhaps technical-illogical, innovation sometimes called progress.]  I couldn’t help but laugh at the absurdity of the front desk person coming in amidst all of this and having me sign their consent to treatment form.  Was their any expectation that I would read this legal document then and there?!   Perhaps my (im)patient antics to that point, as well as not refusing the ongoing treatment, constituted a legal definition of desire/consent for treatment, but the lawyers must have their way.  My only comfort in that absurdity is that the crooked, illegible, left-handed signature on the form will not likely garner the highest price on eBay upon my postmortem celebrity value.

They sat me up and gave me an oral dose of prednisone, a steroid to bring down the swelling.  Even with the fast-acting epinephrine in me, my reaction got progressively worse.  My face was swollen and numb, feeling something akin to that experience after dental anesthesia.  While I had no difficulty breathing, I did have substantial discomfort like gastric reflux pain at the base of the esophagus.  The doctor indicated that my abnormal EKG could be an indication of a small heart attack, though he did not state any connection to my “esophageal” pain.  I did remember all those ads for not mistaking a heart attack for mere indigestion.

At the height, or perhaps depth, of my reaction, my EKG went abnormal and my blood pressure was 56/30 (normal is 120/80).  The doctor said that the abnormal EKG reading might indicate a lack of oxygenation to the heart.  They were quite stunned and concerned with this extremely low blood pressure.  They were perhaps even more stunned that I was still conscious!  To provide additional motivation, I informed them that I am much more fun when I am alive.  Fortunately, my sense of humor was largely intact.  I was on the edge of consciousness/unconsciousness for perhaps five minutes or so, as they tilted the exam table feet up and inserted another IV for additional medication(s).  I definitely had a heightened concern during this time as I strongly prefer my unconsciousness to be long bouts of normal sleep.  While I meditated on the thought of my potential death for a few moments, I had a fairly high confidence that I was in good enough hands to keep me alive, if perhaps not conscious.  While getting the attention of a team of emergency room professionals may take some time, once you’ve got their full attention, they are quite capable. Fortunately, my EKG was normal within five minutes after the abnormal reading, and my blood pressure started to normalize.  The “emergency” had climaxed, and I was about to move into the chronic patient hood.

As I was recovering in the ER, the doctor explained that he would like to admit me to the hospital so they could quickly get a cardiologist consult in-hospital, who would likely order and conduct a cardiac stress test that next day.  They had already tested immediately for blood enzymes that would indicate a heart attack, which proved negative (which is good).  They did the same test again after two hours, which was again negative.  Still, the doctor explained that it could take 24 hours for the enzymes released from a damaged heart to show up on this blood test, and he wanted to repeat this test every six hours.  I inquired as to whether my state of anaphylactic shock might, in fact, be an “informal” cardiac stress test, and that an abnormal EKG under such conditions might actually be quite normal.  He said that could be the case, but that they like to have controlled conditions to interpret cardiac stress reactions.  The alternative would be to see my primary care physician, get a referral to a cardiologist, who would order a cardiac stress test if so desired.  Of course, this would all likely take several weeks.  I consented to being admitted, partly because of the simplicity and alleged speed of the process, but also because on the observation ward I might get better management and discharge planning for the allergic reaction which would take many days to treat and get back to normal.  I consented to being admitted to the hospital.

After about a total of five hours in the emergency room, I was admitted to the observation ward of the hospital.  It was almost 7 pm.  The nurse speedily did the appropriate intake just before the 7 pm shift change, put me in the one-size-fits-none hospital gown, hooked me up to monitors and various gadgets, and we were off.  To make another long story shorter, I could have managed my post-sting allergic reaction — the blooming of welts and itching — better at home.  As is well-known, sleeping well in a hospital is a lost cause.  For example, I wrote the above poem after being woke up by the phlebotomist at 3 am to take my blood and during the ensuing a 2-1/2 hour ordeal to get two over-the-counter pills (Benadryl), one at a time, to control my blooming welts and itchiness.

I was under an NPO order, which means you can’t eat or drink anything, due to potential testing needed the next day.  So, I was poorly rested and without food or water while waiting.  As I like to say: a hospital is no place for sick people!  Instead of the cardiology consult happening in the morning as they stated as their prediction, I didn’t see the cardiologist until after 2 pm and some uncertainty as to whether the order for the consult was put in.  This consult lasted less than 10 minutes, basically asking me if I had any heart difficulties when I exercise — of which I do not. He matter-of-factually confirmed that an abnormal EKG reading when in anaphylactic shock is quite normal, even expected. He still recommended a stress test but kind of laughed when I asked if they were going to do it that day.  I did manage to get out of there by 5 pm, even getting a meal in the hours waiting for discharge.

Fortunately, I have medical insurance, unlike in my previous hospitalization for a bee sting (when I learned the hard way that I was allergic to such insect venom).  I am curious to see the bill.  Nonetheless, I served society well as a job creator.  Plus, I am deeply grateful to live to see another day!  May we all cheat death occasionally and be patient with the annoying details…

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POEM: A Full Life

Charlie’s life was full
Every available space laden to wrest
His productivity well suited
To his interests
Taxidermy and robotics

This short poem offers a challenge to what it means to have a full life in modern Western civilization, where increasing speed and productivity are worshiped as the means to a good life.  I am a big fan of rest and empty spaces as an essential way to fully round out one’s life.  Our culture’s addiction to productivity, fitting in (“well suited”), and a focus on narrow interests has most of us bamboozled.  In this poem, the inane and the productive meet in the metaphor of taxidermy and robotics, representing the deadening and dehumanizing effects of an overfull life.  This metaphor also juxtaposes vocation and avocation, where it is unclear what is a job and what is a hobby.  While this may be confusing, it hints at the underlying connection that a capitalistic culture makes.  Capitalism works best when we devote ourselves to both work/productivity AND inane consumerism.  Capitalism wants to own both vocation and avocation.  Of course, an endless array of inane avocations are offered, as long as they support the consumption of some product or service, hopefully in the service of distracting you from the emptiness of your “full” life and the avaricious nature of endless “growth.”

Emptiness can be revolutionary.  This is why capitalism works best when it crams every available space with inane crap.  Capitalism’s very life depends on it.  Surely, capitalism must provide abundant avenues to distract us from our emptiness.  However, emptiness is not empty!  If we sit with our emptiness, in the sense of lack of fulfillment, this will foment unrest poorly suited for capitalism.  Even further, in experiencing empty spaces and silence, we expand our perspective, the framework upon which we see things, allowing us to truly grow.  Buddhists and Taoists are particularly adept at exploring such realities.  Deists might frame this as silence being the language of God, that small, still voice.

After experiencing a period of relaxation, have you ever then experienced increased anxiety or dread when “going back to work” appears on the horizon?  In a life abundant in balance and wisdom, while work requires effort, it does not require dread.  Dread is a sign of imbalance.  Chronic dread signifies a shortage of wisdom.  Dread speaks to us.  One of the central concepts (the first of the Four Noble Truths) of Buddhism is often stated in English as “Life is suffering.”  I have heard this elaborated upon as realizing that life requires effort (work).  Work is not the enemy.  Work is an integral part of life — as is rest .  The issue becomes how to achieve balance and minimize suffering.  I like the image of breathing in and out as a metaphor for balance.  Questioning whether breathing in or out is better misses the point — as is often the case in Western convergent thinking.  If you do ask which is better, the only sensible response is “what did you do last?”  If work causes anxiety, then rest.  If rest causes anxiety, then work.  If everything causes you anxiety, then look to emptiness.  Of course, emptiness often looks like rest, but there is good work to be done there…

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POEM: There Is Something About Dusk

There is something about dusk
A gentle luminosity
Embracing the culmination
Of a day’s chores
Twilight invites any weariness
Into a slow motion space
Where tomorrow is unkneaded
That in-between place
Where light lingers
And shadows soften
As a sentient glow
Soothes the spirit
And vivifies the soul
Swaddled in the gossamer rest
That has no resemblance to sleep
But akin to dreams

This poem is is unusual for me in that it is not jam-packed with puns, with only one obvious pun and another very subtle one.  I wrote this poem last night after taking a leisurely stroll at dusk through my neighborhood, the Old West End historic district in Toledo.  I have loved dusk as long as I can remember.  I have long loved dusk because of its forgetful knowing.  I find a special feel in those in-between places that knead not the past nor the future; a gentle now suffices.  There is peace in being freed from any insistence to grapple with awe that looms.  Dusk offers a luminosity that is lucid but not urgent.  May such refreshing glimpses capture your tension, even if just, before you loose your soul…

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